{"id":260,"date":"2025-11-03T13:49:02","date_gmt":"2025-11-03T13:49:02","guid":{"rendered":"https:\/\/monsterwheel.ch\/?page_id=260"},"modified":"2025-11-27T14:19:43","modified_gmt":"2025-11-27T14:19:43","slug":"eingang-ausgang","status":"publish","type":"page","link":"https:\/\/monsterwheel.ch\/?page_id=260","title":{"rendered":"Eingang\/Ausgang (2022)"},"content":{"rendered":"\n
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Eingang\/Ausgang<\/strong> is Juan Mauricio Schmid Bello<\/strong>‘s debut philosophical work published on 11.07.2022 at Amsel Verlag<\/a> and monsterwheel<\/a>.<\/p>\n\n\n\n

Language: german<\/strong><\/p>\n\n\n\n

ISBN: 978-3-906325-67-5<\/strong><\/p>\n<\/div>\n<\/div><\/div>\n\n\n\n

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About<\/strong><\/summary>\n

Schmid Bello<\/strong>\u2019s philosophical practice is rooted in transdisciplinarity, bridging art, science, and spirituality through media theory and aesthetic epistemology. His major work, Eingang\/Ausgang<\/strong><\/em> (2022), presents a forty-two-chapter treatise across seven books, examining the relationship between language, sound, and digital existence. The book defines new concepts such as nomadic internet<\/strong>, inframediality<\/strong> and social space<\/strong> \u2014 positioning art as an expanded form of consciousness rather than representation. <\/p>\n\n\n\n

His writings frame Transmodernity<\/a><\/strong> (since 2009) as the first XXI. Century epoch following the XX. Century postmodernism (in 4 waves: post-modernity (1948-1984), post-postmodernity or glocalisation (1984-2001), post-post-postmodernity or post-glocalisation (2001-2009) and the dangerous extension of the XX. Century into the XXI. Century wrongly adapted as the century of digital industrialization or second industrialization: neo-postmodernity or post-post-post-postmodernity (2009-2024)), defined by reflexive plurality, planetary ethics, and the unification of technological and spiritual narratives. Schmid Bello<\/strong>\u2019s philosophy thus seeks to transcend postmodern fragmentation and restore a coherent dialogue between media, society, and human meaning.<\/p>\n\n\n\n

Eingang\/Ausgang<\/strong><\/em> (Z\u00fcrich University of the Arts<\/a><\/strong>, 2022) was associated with the discourse surrounding Z\u00fcrich<\/strong><\/a>\u2019s designation as a Cultural Smart City<\/strong> by UNESCO<\/a><\/strong>. The work examines intersections of media art, philosophy, and urban infrastructure, presenting Z\u00fcrich<\/strong> as a transdisciplinary \u201ccity-canvas\u201d where digital, social, and aesthetic systems converge.<\/p>\n\n\n\n

Through its discussion of transmedial and inframedial processes\u2014linking artistic practice to technological and civic structures Eingang\/Ausgang<\/strong><\/em> argues that cultural dimensions are essential to the sustainable development of cultural smart cities instead of the possible apocalyptic gentrified smart city hubs.<\/p>\n<\/details>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Digital edition<\/strong> (single)<\/summary>\n

For ordering the digital work only (without scientific explanation and extras) you might find it over Amazon<\/a><\/strong>.<\/p>\n\n\n\n

Price is 25 CHF<\/strong><\/p>\n\n\n\n